A rescue that does justice to the work of a great creator of the tango.

Cristian Asato floor, and School Orchestra Emilio Balcarce, updated with very good results a dozen pieces originally recorded in 1958 Y 1964.

To enjoy thebrooding or theme Orlando Goñi, edited by collectionFM Tango for you, I had to make the effort to cross the spike noise and cried (so it called the sloppiness in pitch and meter caused by abuse and aging tape recording).

These piano pieces sounded own version of Alfredo Gobbi, after his brief introduction hoarse. Like many musical gems-and the great Carlos Garcia at the head of all-some of these pieces were recorded in the studios of Radio El Mundo, National Radio today.

Best known as violinist and conductor of his own orchestra, Gobbi was not only a good pianist, though the sharp tongue of Piazzolla preferred to dismiss it as "three-fingered pianist" - but also a great composer of music for piano, the instrument that had started her musical education and not abandoned nor in their times of successful violinist. He lived the piano in silent movie functions, and she clung to him especially in his later years, the oblivion.

Fortunately, inunprecedented Gobbi seven records for piano studio recordings are retaken, in 1958, and three orchestral tracks recorded radio, during 1964, today can be heard without scratches.

Curatorship at work is the hand of Ignacio Varchausky, Revisionist ubiquitous tango, who left the transcription work for close Rafael Villazón, Cristian Andres Linetzky and Asato, who, also, It is the interpreter of the seven pieces for piano (brooding, my dove, My hands, Redemption, old madrigal, Camandulaje YOrlando Goñi).

The material is very rich and responsibly Asato plays the role of transmitter of a large inheritance recovered. Although it is likely to be the same consciousness that carry your style of overwhelming correction.

A little slower than the original Gobbi, new versions of the piano sheet music enjoy the seal Academy, but still can not find the ease of own language.

The three orchestral pieces –CTV, Redemption YSolfeando-, They interpreted by the School Orchestra Emilio Balcarce are, instead, a unique colorful energy. And just compare the two versionsRendención, pianistic and orchestral, to understand the journey that still need to perform the solo scores.

Momentum, naturally in the orchestra, it freezes on the piano. Surely, the live tour of this album will end by dissolving in pure impulse, Moving time, to that solemnity that today permeates the genre yeites.

Source: Clarin newspaper – 12 February 2019