Verses belong to Celedonio Flores and music to the brothers Jose and Luis Servidio. It was a work of great popular impact.
The brothers signed together regardless of who was the greatest collaboration. That was entirely themes composed by José Luis as others, but when the time was asked Joseph for "The bulín Street Ayacucho", He said he belonged completely.
Celedonio had written "Margot" and "Mano a mano" and, in the year 1923, he did get the verses again this tango Joseph Servidio who was performing at the Café ABC, It located in the present avenue Córdoba (Rivera then) and Scalabrini Ortiz (then Canning), demolished a few years ago.
Referring to the Black Cele, Joseph said: "We were friends since childhood, he lived on the street Velazco between Malabia and Canning. I composed the music in a couple of days. The bulín really existed in the street Ayacucho 1443, It was a little room in which neither mice missing.
"We got together every Friday and were Juan Bautista Fulginiti infaltables, the singer Francisco Martino, which he was with Gardel. The singer of the duo Paganini Paganini-Ciacia, Fernando Nunziata, then making the duo Cicarelli-Nunziata, skinny Solá, cantor, guitarrero and a privileged throat and cane. Ciacia always cooked one pucherete. In the whorehouse she was a frying pan and a "morocha" (those large pots and therefore use punished). The owner was Julio Korn, who lent it to Celedonio. There he drank mate and chatted much. Now, all it ended when the black Cele started dating in late 1921 '.
But this tango keeps some mysteries. In a note he wrote Roberto Selles for daily Chronicle, He questioned the authorship of the Servidio and, to the end of it, reads: "As we recounted Arturo Bernardo, the letter was intended, At first, his sister Paquita Bernardo. It seems that, a failure to reach it to set it to music, Flowers handed to José Martínez, what, according to what we said Luis Adolfo Sierra, was the true composer and then gave the melody to Servidio brothers'.
The tango was published by a school teacher surnamed Lamy, I had printing on the street Paraguay 4366. And born to fame in the Theater Soleil played by the duo Todarelli-Mandarino (Luis) accompanied by then guitarist Humberto Canataro.
Despite the many recordings he had and how it was received, the Servidio did not report them a large sum of income. The scoop on the disk corresponded to Carlos Gardel, Odeon that recorded in Barcelona in 1925 -accompanied by Jose Ricardo and, the next year, in Buenos Aires, with the guitars of Ricardo and Guillermo Barbieri.
Francisco Lomuto, in 1925, it records only instrumental. Later, in June 1941 recorded by Aníbal Troilo with Francisco Fiorentino. Then, Fiorentino with José Basso en 1949. Troilo again, Roberto Goyeneche now 1971 and among others, Edmundo Rivero.
Juan Bautista Fulginiti, one of its prominent visitors, He born in Genoa, Italy, the 16 June 1895. To the 20 years and bent by the payada and dedicated his song to the social issues. He was part of a trio with Luis Acosta García and Estela, This last wife, They were called The Last Gauchos. He died in Buenos Aires, the 2 from December to 1951. Was the author of the tango "Llorando the letter".
Francisco Martino, He born in Buenos Aires, the 6 May 1884 and he died 25 May 1938. Cantor and guitarrero, He was the first to duet with Gardel. Razzano was already but for that tour off sick. They acted in several villages until you reach La Pampa. prolific author, Gardel recorded 11 issues.
Fernando Nunziata, another frequent visitors to the bulín, singing toured the main premises of the era and was also shown in frontline theater companies like Pablo Podesta, Mill-Alippi, Enrique de Rosas, Arata-Simari and other. He also enlisted in circuses and one of them came to the province of Corrientes, era 1914, and there he met Juan Carlos Marambio Catan, with whom he toured reaching the Assumption of Paraguay. His real name was Nunciato. He born in Italy in 1892 and he died in the province of Córdoba, the 29 June 1926. His voice was recorded in a large number of plates.
With respect to Luis Mandarino, He was born in the Abasto. He had a few years of work in rooms of the Capital, until I met Todarelli and resolved to try his luck in Paris, so it was that almost all his records record were made in France and also, Spain and Germany. He was composer and his pieces were taken to the disc by orchestras frontline.
Source: todotango.com
